THE IMAGE OF THE BELOVED IN ALISHER NAVOI'S GHAZALS AND THE PROBLEMS OF ITS REPRODUCTION IN TRANSLATION
Keywords:
Key words: Alisher Navoi, artistic creation, artistic image, mysticism, lore, tarso, ghazal, Muhammad, Jesus, Yusuf, Khizr, Nimrod, perfect man, love, Persian ghazals, Zullisonayn, death, poverty, prophet.Abstract
Abstract. In this article, the literary-aesthetic, mystical nature of the image of the beloved, which is actively used in Alisher Navoi's work, especially in his poetry, is studied. Some stanzas with this word in Alisher Navoi's ghazals were selected as objects for the study of the problem posed in the article. In order to further analyze the essence of the image, examples were taken from Navoi's ghazals in Persian and the works of other poets who created in this language. Special dictionaries are used for the review of mystical terms. Also, the art of quoting is skillfully used in Alisher Navoi's Turkish and Persian ghazals.
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